THIS E-BOOK, REALY VERY SHORT, WANTS TO BE A MIRROR TO PANORAMA ROCK MUSICS IN GENERALLY , BUT WHIT A MANY STYLES METAL, GOTHIC AND OTHER KNOW FEW OR CANT’ARE ETIQUETTED SO EASY.
MANY TO THOSE STLYLEA OR ARTISTS YOU HAD KNOW YET, AND OTHER YOU NEVER KNOW IF TROUGHT THIS E-BOOK, THAT HAVE THIS OBJECTIVE: TO MAKE TO KNOW THIS ARTIST THAT HAD MAKE TO MUSIC HIS LIFE, AND THAT ESPLORING IT AND COMPLETY WITH ANOTHER STYLES OF ARTS.
THE TYPE N.A.O.R.
IT’S THIS TYPE OF ROCK, KNOWING JUST A SHORT CIRCLE OF PERSONS WITH FINE PALATE TO DEFINE ONE STYLE VERY PARTICULAR OF ROCK, MAKED TO GUITARS, K-BOARDS AND NATURAL SOUNDS NEW AGE, THAT GIVING ATMOSPHERE TO LOSTING INSIDE, 3 DIMENSIONS SOUNDS THAT SPACING EVERYWERE, MAKE BE TO ONE SINGLE SING ONE COMPLETY MUSICAL OPERA, CAN BE LIKED THROUGH WITH OTHER SENSES AND NOT JUST BY THE EARS.
AN ARTIST HOCKED IN THIS VERY PARTICULAR STYLE OF MUSIC ARE PARIS GAGLIONE.
THAT’S THE INTERVIEW MAKED TO ME FOR THE WEBZINE WWW.MYSPACE.COM/SANDSFROMMARS
ESCLUSIVE INTERVIEW TO WAYWARSON
(SFM) WY THIS SYNGULAR STYLE OF MUSIC LIKE , MUSIC END THE EYARS ’70, LIKE “GOBLIN”?
(W W) probably you take about the song “digital dreamland”cause the reference to the “goblin” for the intro with k-board has also been to me done by other people It 'still an' inadvertent influence, as I had in mind Deep Purple, and also the riff was originally established from the guitar, just that I deliberately wanted to replace many parts with keyboards, guitar or piano, so that more diverse sounds
(SFM) DO YOU LIKE THAT TIME AT THE LEVEL OF MUSIC AND FILM?
(WW)From the musical point of view the late 70s was full of excitement and new proposals, which have clouded the sacred monsters of the early seventies, replacing them with punk el ' beginning of 'Heavy Metal, and also like in that period when I was music format, I debated whether to remain faithful to the great musicians of the past or whether to follow the trends more assertive. For the film, although I am no expert nor a collector, if by chance Sky spent a few Italian films of the 70s, like Dario Argento, Fulci or whatever, I watch them with great pleasure and interest, even to remember what was Italy of my childhood.
(SFM) WHAT ARE YOUR MUSICAL PAST EXPERIENCES?
(WW) I formed my first band of Thrash Metal in 1986 in Lodi, the Bonecrusher, incredibly are still a cult band in those parts, so we reformed about two years ago. Accurate but I just do my guitar parts, while the band is in the hands of the singer. I, however, and since 1991 I am in charge of Waywarson and Hard Rock / Naor. and some satisfaction to me are removed, such as participation in Nightpieces Vo. IV Drachma Records in 1994 and I'm getting good reviews from the press with new album
SFM) IN ADDITION TO MYSPACE.COM/ WAYWARSON PAGES OR OTHER SITES HAVE TO BE DISCLOSED?
(WW) Apart from the official website www. waywarson. com I have no other sites to report other than those where it is selling our CD in digital distribution, such as the various and music, Napster, etc..
(SFM) "DIGITAL DREAM LAND" WHAT STRANGE PLANET CAN BE?
(WW)Digital Dream Land is becoming our planet, for better or worse, where more and more reports are limited to Face Book, where we create virtual identities that we can not be us (Second Life), where more and more we use technology instead of the technique to create music. Note that I'm telling you to be nostalgic, since I also take advantage of all that the internet and the computer gives me, but we must always be aware that there is also an 'other reality.
SFM) SEEMS TO ME YOUR TYPE OF MUSIC, A REFLEXIVE, WHERE THE EMOTIONS, THE INSIDE LOOKING FOR YOU INSTEAD OF EXTERNAL.
(WW)Definitely music is very personal and intimate, in a particular period of my life, coinciding with 's coming of the millennium. It is possible that the new songs might be slightly different depending on my altered state 's mind (SFM) your dream Digital? Yeah I'm living my dream digital, focusing much on the prevalence of' album "Alone" through the Internet, then because my priority is earning from the music, a dream would be to spread to as many people in the world of my songs and my messages.
(SFM) SCHEDULED DATE YOU?
No. at present we are only a project from the study: I do not care to play live in places where people did not come to listen and then follows us casually. If, due to the results obtained by 'album, there should be an interest by the public, I would be happy to arrange dates.
(SFM) Thank you very much!
(WW)Thanks also to you the valuable support we're providing. Keep rockin! !
Another Italian artist that needs to know is certainly Dave sixx, that is not only polistrumental man, but ago collaborations with artists both Italian and foreigners, and a concept of the Metal as a prolongation or evolution of the classical music. The ancient one and the modern one that unite him in a mix of sounds, sublime music, that badminton directly in the heart.
EXCLUSIVE INTERVIEW TO "Dave SIXX"
(SFM) HOW COME THIS PARTICULARITY IN THE PIECE "MEDLEY", IN WHICH THE BEGINNING SO VERY CLASSICAL TO THE PIANO , DOES IT BECOME THEN SO’ HEAVLY METAL?
(DS) I LOVE THE CLASSICAL MUSIC, HAS STUDIED FOR MANY YEARS VIOLIN AND I CONSIDERS THE HEAVY CLASSICAL METAL LA OF OUR DAYS, MI IT LIKED BESIDES THE IDEA TO CONJUGATE (JUST AS IN THE CLASSICAL CIRCLE PURELY) THE QUIET IT IS THE STORM, THE NIGHT IS THE MORNING, YOU HOLD HOWEVER IT FORESEES THAT DOESN'T DEAL WITH A CALM TOO PIECE THAT TO THE PIANO, UNDERSTOOD AS PRELUDE TO THE THEME, IN THE SPACE NON THERE ARE THE TITLES (FOR MOTIVES FOR SPACE) OF THE THREE MOVEMENTS THAT COMPOSED THE MEDLEY, ARE: MIRROR GATES HE PERHAPS TREATS OF A MAGIC MIRROR OR OF A DIMENSIONAL PASSAGE, TO THE LISTENER THE MORE POSITION IS UP TO' DEVISE HER), DARK AGE (THE MORE MOMENT' CONTROVERSIAL IT IS DARK... WITHOUT OBSCURITY' THERE WOULD NOT BE THE LIGHT) AND SOONER OR LATER, THIS' THAT FROM' THE HOPE, MA IN REALITY' IT ALREADY HAS' DECREED THE POSITIVE TURN, THE WALK TOWARD THE GOOD... IN THE MOMENT IN WHICH A GLINT OF HOPE GATHERS THE INDIVIDUAL, HE ALREADY HAS' EFFECTED A TURN, THE NIGHT IS' COMES AT THE END AND THE DEW OF THE MORNING WILL DRIVE HIM/IT' TOWARD THE LIGHT OF A NEW WALK...
(SFM) IN HOW MUCH YOU ARE IN THIS PROJECT?
Speak to me ABOUT You!
(DS) This Project is Born To My Name it is Wants to Be Such, Not Because' I Have Who knows' What Manias Of Greatness, BUT Simply Because' In My Experience Of Musician I have Never Found A BAND THAT He didn't Disintegrate alone In the Turn Of Months Or Years, Something That is Able it Always Exists' to Make to Go crazy, Therefore Wanting to Bring Forth A Serious Discourse And On which Whoever is Able' to Make Trust, is Them The Public Or The Record (Because' The PROJECT Exists From When I WAS Musically Born In 1989 And There Sarah' Up to the End Of My Days) Houses, I Found to Owe to Deal me With All The Tools, The only Tool That I have not Played In This Disk it is' The Battery, For Which And' is Select The Teacher MASSIMO SERRA.
IN THE LAST TIMES THERE AND' HOWEVER' IS A TURN, I HAVE MEETS AGAIN A MY DEAR FRIEND, A MUSICIAN THAT I DIDN'T SEE FROM WELL THIRTEEN YEARS, AND THAT IT WILL PLAY' THE BATTERY IN THE NEXT WORK.
The Project 'Dave SIXX' it is Born In 2006 With The exit Of the However 'PROMO 2006 - HARDER FASTER', Later The year Sees The Light The Video 'PEARLS OF WISDOM' Turned In Some British Gothic Cemeteries And The According to Bill CD 'MIRROR GATES', The Video is Introduced On Quite a lot Issuing National And International (Also On SKY) TVs And The CDs Vengono Introduced On Varied Issuing Broadcast Both Here And To the foreign countries, In the Spring 2009 Go out For WAYWARD Star RECORDS The FULL LENGHT 'SIXXSTERIA OR HARDER FASTER' During This Promotion I Build A Real LINE-UP Per The Shows That it Continually Changes Up to His/her New Incarnation That he/she Sees Besides Me To the Voice it is Also Guitar VIDEN SPASSOV To the Lower part it is Choirs it is LORD SKARN Of the PAYMONs (The Expensive Friend Of Which Above) A the Battery it is Choirs.
(SFM) FEELS HIM QUITE A LOT THE INFLUENCE OF THE AC DC AND OZZY, IN THE MUSIC IS IN THE USE OF THE VOICE!
(DS) I THANK YOU, I HAVE SPENT A LIFE TO LISTEN TO EVERYTHING THEMETAL POSSIBLE, BUT THAT, IS NOT ONLY FOR EXAMPLE A FAN OF PINK FLOYD AND OF A LOT OF OTHER GREAT ENTITIES' MUSICAL, MA AC / DC AND OZZY I AM A LITTLE MINE 'SANTINI', TOGETHER WITH BLACKIE LAWLESS AND KING DIAMOND TO QUOTE A PAIR OF IT...
( SFM) IL "GOD ROCK" AND' AN ENTITY' ALMOST REAL, IN YOUR SONG, AS IF IT WERE ALMOST A DIVINITY' PAGAN, HOW DO YOU CONSIDER IT?
(DS)...AH, AH SPEAKING OF SANTINI THEREFORE!
I THANK YOU, I DON'T WANT TO RESULT ILL-MANNERED, I SMILE ONLY FOR THE CONNECTION AT THE PRECEDING QUESTION, MI IT DOES' A LOT OF PLEASURE THIS YOUR QUESTION BECAUSE' YOU HAVE CENTERED IN FULL, FOR ME HE TREATS REALLY OF A DIVINITY', AND I DON'T FIND ANYTHING STRANGE IN EVERYTHING THIS, AND' A STRENGTH, AND' THIS' FOR WHICH WAKE YOU THE MORNING, THAT DOES YOU GO BELIEVING ON IN ALL OF YOUR IDEAL, IF THERE WAS NOT THE MUSIC IT IS MORE' JOY, THANKYOU!
(SFM) in addition to www.myspace.com / officialdavesixx www. myspace. com / officialdavesixx HAI other pages or sites link? (DS) IN ADDITION TO THE OFFICIAL WEBSITE MYSPACE RESULT: www.davesixx.eu THE MYSPACE OF MY NEW LINE OF GUITARS: www.myspace.com / officialhandcrafteddavesixxguitars THE OFFICIAL WEB SITE OF THE WAYWARD STAR RECORDS: www.waywardstarrecords.com (SFM) Do you have projects under way? (DS) would definitely go into the studio to record the following 'SIXXSTERIA OR HARDER FASTER', HO GIA 'A LOT OF WRITING NEW MATERIAL AND'm really excited, YOUR' NEW ATMOSPHERES OF LIGHT AND SHADE AND SARA 'A sort of bridge between DELIVERING ON THE METAL UP TO A NEW DIMENSION OF TIME AND EVEN MORE' tirade, while never forgetting CIO 'CHE MI HA' TAKING LIFE IN MUSIC lment 'Until now, WHEN I JUST FROZEN this job because' I am 'STUDY FOR POSSIBLE TOUR OF WHICH CAN NOT SAY ANYTHING AT THE MOMENT AND THAT GAVE ME THE OPPORTUNITY' to move even ONCE in SonoRITY 'Difference and interesting!
(SFM) ONE HIDDEN DREAM OF YOURS?
(DS) MY DREAMS ARE THIS' THAT I PUT INTO EFFECT, PERHAPS A DREAM 'HIDDEN' HE COULD BE SEEN WHETHER TO PLAY WITHOUT MUSICAL FRONTIERS' AND WITHOUT DUTY FOR STRENGTH TO LABEL EVERY SINGLE IDEA, MA THE THING THAT I DESIRE MORE' AND' TO CONTINUE WITH THIS MUSICAL LIFE THAT HAS GIVEN MORE' OF A' EMOTION, BECAUSE' TO BE ABLE TO MAKE MUSIC OF MY LIFE IS' IS A GREAT REALIZED DREAM. AND TO SHARE PROJECTS WITH OTHER ARTISTS, HAS LATELY KNOWN DIFFERENT ARTISTS THAT KNOW HOW TO CREATE A MAGIC WITH THEIR ART, AS PARIS SCAGLIONE OF THE WAYWARSONS OR MATTIA OF THE FOR INSTANCE VIEWS GOTHIC OR STILL LORD SKARN OF THE PAYMONS, ARTISTS THAT IN FIELDS SO' DIFFERENT THEY KNOW HOW TO GIVE ME GREAT EMOTIONS, AND THAT THEY KNOW WHAT IT MEANS TO MAKE TO DREAM WITH THEIR ART. HERE IS THIS COULD BE A DREAM IN THE DRAWER, TO BE ABLE TO ALSO COLLABORATE WITH THESE ARTISTS.
(SFM) IF YOU COULD COLLABORATE WITH AN ARTIST OF WHATEVER KIND, OF THE PAST, WITH WHOM WOULD LIKE YOU TO WORK?
(DS) Realized dream. And to Share Projects With Other Artists, has Lately Known Different Artists That Know how to Create A Magic With Their Art, As PARIS Scaglione Of the WAYWARSONs Or MATTIA Of the for instance VISIONI GOTICHE Or Still LORD SKARN Of the PAYMONs, Artists That In Fields So' Different they Know how to Give me Great Emotions, And That they Know What it Means to Make to Dream With Their Art. (DS) Big Beautiful Question. With The Already' Quoted PINK FLOYD (In the Years '70), With The SEX PISTOLS Of the Concert On the TAMIGI, With HENDRIX, With BILLY IDOL, With The Ws.To.S.P. In the First ones '80. Perhaps they are Too many? AND COULD GO ON. AH, AH.
(SFM) I WARMLY THANK YOU!
(DS) Thanks To You For This Interview, And For The Job That you are Bringing Before, A Job Made Of Passion. the greatest collection of plectra of the world, is present also mine. http://www.guitar-picks.com / sixx_dave.htm for the one who wanted to listen to a broadcast interview on Radio Cooperative PadOVa.
http://lpp.opencontent.it / blog /?p=1086#comments the interview of the great Maury translated in English. http://randomaxemen.wordpress.com/2009/02/23/interview - with-dave-sixx-2009-sfm / a new interview in English respect my last meeting with Paul Gilbert. http://metalichicka.wordpress.com/2009/05/01/perspectives - to-vip-students-experience-at-the-paul-gilbert-clinicconcert-verona-arcole-italy-2009 / the translation in English of my article on one of the meetings with Paul Gilbert gone out on Metal Maniac in December 2008. http://metalichicka.wordpress.com/2008/11/15/paul - gilbert-in-bologna-oct-2008-retrospective-review-by-dave-sixx / critiques and edited by info the great Lord Avalon also on :
www.entrateparallele.it and the e-mails to which to be able to ask for info and to purchase the disks, the video, the shirts and the whole merchandise that you want :
email@example.com (distribution) or directly to the label :
a group of music gothic metal, with continuous search of sounds and created ambientazioni and sought after in the readings of the leader, that go from the classical Gothic to books that talk of esoterismo and of contacts to the inexplicable one, as these two breves but meaningful brief stories of the singer, that are the summary of the charm that transmits the unknown one speak alone.
Once more the sleep you has abandoned me and I am me to nervously turn me in the bed.
The thoughts of the departed day crowd in my head and the silence of the night it increases my uneasiness because all rests in peace except my body and my spirit.
A deaf and sudden noise makes me jump on the bed and, frightened, I realize me that not they are in my room, in my house.
Around me there is an ancient furnishings everything covered of mold and cobwebs that it emanates a sharp and prickly scent of old abandoned abode.
A great window opens on an anxious landscape of channels, bridges, alleys and holds streets dipped in a dense and icy fog.
I recognize the 1600 Venice, city of my ancestors, that sees every day represented on few and rare paintings collected by my mother and industriously suspended on the walls of house to enrich and to embellish the furnishings.
"But as I/you/they are ended in Venice there?", "I am dreaming?" these are the first thoughts that quickly pass for my head.
I must understand, I must go out of this room where I have mysteriously come me to find.
I slowly open her and, in front of me, a long corridor opens of which don't see the end because of the darkness in which it is found absorbed.
The fear of the unknown one attacks me but I must do me courage and to look for a street of exit to try to resolve the mystery of my presence in that unknown house.
I slowly advance and gropingly and I feel that is not alone.
There is someone, there is something in the obscurity that observes me and that it seems to wait after all me to the dark corridor.
Cold shivers cross all of my body, I feel me scaring the skin and an anguish deep salt inside of me.
I am afraid fear of the dark.
It climbs the terror, they go out me hysterical sighs of the mouth and..I would want to escape, to run away, to expedite to cross me that corridor.
I begin to race despite my sight is totally incapable to direct me in those darkness, while a cold and abundant sweat plentifully covers me the body.
And here, suddenly, a blinding light and, absorbed in the light, indistinct in the features, a human figure adorned as an inhabitant of the ancient Venice.
The figure speaks to me, the words go out weak and for the greatest part incomprehensible from its mouth, but I succeed in understanding that it knows me and that he wants to reveal me something regarding my future.
Everything however it is so confused and terrorizing that begin to shout from the fear, cry, cry and. Awake, I am awake, I am sweaty and afraid but I am awake in my room.
"Then you/he/she has been everything one dream", I tell me, still prey to the nervous convulsions of my body.
Slowly the heart starts over normally beating and the figure of the vision begins to fade away in my mind.
Behind of me, suspended to the wall, a painting withdraws one dead ancestor of mine to Venice during the plague of the 1630. The face of that figure however it is not the same anymore, you/he/she is changed, and its lips are contracted in a mocking smile and evil not it was a dream
was a dark premonition of death.
THIS IS AN OTHER STORY OF THE GOOD SINGER:
THE DOOR OF THE EVIL
Efrem occupied him of parapsychology and of spiritism from when, five years you/he/she had casually discovered before to have some extraordinary medium dowries.
“Per me si va ne la città dolente,
per me si va ne l’etterno dolore,
per me si va tra la perduta gente.
Giustizia mosse il mio alto fattore:
fecemi la divina podestate,
la somma sapienza e ’l primo amore.
Dinanzi a me non fuor cose create
se non etterne, e io etterno duro.
Lasciate ogne speranza, voi ch’intrate".
Dante Alighieri - Inferno - Canto II
It participated to a spiritical session, of those that, for joke, they are often improvised among friends, when, inexplicably it was fallen in trance, and you/he/she had had a contact brought closer with the first ghost of his/her life: a ten year-old child died few days in a serious accident before.
That child was the cuginetta of one dear friend of his, Fabio, that you/he/she was taking part to the spiritical session and that she was more stunned and terrorized of Efrem.
This last, in fact, since then not at all intimidated, you/he/she had decided to analyze the origin of his/her powers and to devote to the study of the parapsychology, of the extrasensorial phenomenon and to the spiritism. His/her preferred book, source of inspiration and teaching, was for long time "The book of the spirits" than To Kardec.
After the theory, you had decided to put the notions into practice it learned during the studies and to exploit at the most his / her medium dowries, becoming to kind of "hunter of ghosts." The fortunes however you had not been from his part since you had not made sensational discoveries and the documents that you had picked up during his continuous missions to the search of the ghosts nothing they didn't represent of really interesting.
Efrem, during these years, a rather introverted and bashful personality that had brought him/it to entirely focus on himself had also matured.
If from a side this transformation of his caratteriale had allowed him to study himself and to develop a strong personality from the other had made him lose the contacts with friends and leaving.
He/she lived only for his/her studies and, inside of itself, it always had the strange feeling that for him he was approaching the moment of a sensational discovery for which you/he/she would have been remembered by the future generations.
This time his/her thirst of novelty and adventure you/they had conducted him/it near the town of Hill Isarco, in Sudtirolo, where it was said there pits a cave populated by malignant spirits.
The country of Hill Isarco, situated among the tourist Vipiteno and the Brennero, that it marks the border with Austria, distava a pair of kilometers from the point in which Efrem had fixed the point of departure of his/her new mission.
This town montana can boast a beautiful church, devoted Santa Barbara, in which elements are melted tardogotici to the patrona and Renaissance and that you/he/she had also captured the curiosity of Efrem that was also an impassioned of art and of architecture. The beautiful landscapes montani, partially innevati dates the winter season, they served as background to one of the most fascinating places in Italy and the almost uncontaminated nature it gave, during the day, a sense of peace and almost unreal calm.
Nevertheless, during the night, as for a strange spell, that same landscapes purchased a something mysterious and anxious in the silence of the darkness.
The night was really lasting that Efrem had decided to complete his/her studies and experiments inside the cave, to avoid the presence of curious that the job you/they could disturb and to make him lose the necessary concentration.
That night began to fall an elegant and light rain and the temperature it went down under him/it zero.
The wind shook the nature and dispersed, in irregular way, the dry leaves piled up to the feet of the trees.
The wood was absorbed in the most absolute silence and in distance, but it was only a strisciolina of earth illuminated by some rare automobile, you/he/she could be perceived the government one of the Brennero.
Efrem entered the cave with all of his/her equipment composed of microphones, photographic car, camcorder and recorder to immortalize any strange presence had had the fortune to meet. That place had been, to the beginnings of 1900, theater of magic and satanic rites.
The inside of the cave, illuminated by the torch that Efrem held in hand, he/she immediately introduced him few pleasant and left.
The walls are been painted of black and they were full of writings in Latin that hymned to the Demon. It dealt with prayers, invocations and of ritual formulas whose purpose was that to establish a direct contact with the Malignant one.
Some chains had firmly fixed to the wall and their feet there were some big reddish stains unequivocal signs left by the versed blood because of ferocious and horrible sacrifices.
The sensitive soul of Efrem immediately suffered a depth sense of uneasiness and oppression.
It perceived the pain and the suffering of which that place had been witness.
In that cave the unhealthy atmosphere was almost palpable, and the feeling was had to be in a dark dimension and detached by the real world.
Efrem was on the point to go out of that infernal place so the negative emotions were strong that oppressed him/it until in the depth of the spirit.
Suddenly lost the control of his/her wish and it began to have some horrible visions.
It began to see suspended to the chains, before empty, of the painful and bloody people that howled, they wagged him and they cried.
Men and women were heathenly tortured and tortured from of the sneering and repugnant devils and, if you/he/she had been able to describe that demons, Efrem would surely have taken I sprout from the medieval iconografia since they had a feral aspect and animal, with a long tail, the beard caprina, the claws and the capro legs.
A sharp and prickly odor of blood had imbued the air in which a strong foul smell of sulphur also fluttered.
Efrem had crossed the threshold of the pure and absolute evil and it warned the whole danger and the power of it.
The people that he/she saw suspended to the chains were not the victims of the human sacrifices that had been finished to the beginning of the century: they were the executioners, those people that also to have benefits in earth, had sold the soul to Satan and they was prey of the perverse tortures of his/her demons now.
The lost souls, the damned souls, looked at him/it imploring its help but him it witnessed impotent that appalling show.
The devils it seemed that you/they had not even acknowledged his/her presence and they continued in their work of ferocious violence.
Efrem decided to escape despite the legs they trembled him as leaves to the wind and despite pits on the point to lose completely the light of the reason, overpowered by the wickedness of that diabolic cave.
It turned the the damned shoulders and to the devils and it began to race toward the exit of the cave but he/she didn't succeed in reaching her/it.
It seemed that it was always distant, it was as if the walls of the cave lengthened similarly to the speed of its run.
You stopped and it began to beg hoping that the good God saved him/it from that ill. "Father Ours that six." "Not to pray!it " shouted imposing and imperious a loaded voice of an indefinable but pure and absolute hate.
Efrem had never warned in a human voice so much wickedness and wickedness.
It lifted the look and, to the entry of the cave, he/she saw a tall and enormous demon that held in the hands of the people that groaned for the pain.
The devil, with a gesture of anger, it dashed with violence behind of itself those poor creatures and it picked up others of it that were found you pile up to his/her feet.
"Come before!it " shouted "I want to show you something that any man has still seen." Efrem advanced prey to an insane terror and almost unbearable and it reached the demon to the mouth of the cave.
The whole pain and the evil of the humanity overwhelmed him/it.
You feel a strong heat burn him the limbs and, with the sight by now clouded by the pain and by the strong emotions, he/she saw.he/she saw the hell and it fainted.
You got back after a few times.
It was out of the cave and it was day.
The noises of the nature seemed to bring peace and calm after the horrible visions of the night.
Efrem felt the monotonous and calm roar of a brook and the rustle of the plants it moved from a light wind.
It got up senseless but reassured by that sweets sounds of the nature and it thanked God for this peace.
It looked at the horizon to see the mountains innevate of near Austria, and suddenly you/he/she suffered the terror and it shouted for the anger and the amazement.
Behind those mountains they got up tall and imposing flames and in the middle of these it separately perceived the outline of the great demon that that night had conducted him/it to the door of the evil, to the hell.
Satan was on the earth and you/he/she was destroying the creatures of God.
The world, by now irremediably corrupt and sinful, it was ready to have the direct contact with the prince of the darkness that had been waiting for that moment for centuries.
Efrem heads that Satan had used him to create a connection between the hell and the earth and that, during their meeting, that door that had been open had established a bridge among the two worlds.
This had been possible graces to the powers medianici of Efrem with which Satan had established a cerebral contact to be able to finally access the world created by God and to destroy him/it.
The door of the evil had been open for the return of the fallen angel what time you/he/she could take revenge some biblical defeat inflicted him by the Lord.
Made him account of this truth, Efrem it raced up to his/her own automobile that was parked a little far and, to all speed, it directed him toward the Brennero, toward those flames, toward Satan to expiate his/her guilt.
You/he/she would have been forever a soul of the hell, a damned soul, guilty of the destruction of the good and the triumph of the evil.
The sensational discovery of its life had been this, but nobody would have been able to remember her/it in the centuries to come.
The flames of the hell wound the whole humanity and from that moment earth was a place of penitence and pain...
“Per me si va ne la città dolente,
per me si va ne l’etterno dolore .”
This is the interview:
EXCLUSIVE INTERVIEW TO VISIONI GOTICHE
(SFM) TELL ME IN HOW MUCH YOU BELONG TO THIS PROJECT IT IS FROM WHERE YOU COME.
The group is currently formed from 3 people: me (Mattia M), Roby Tav and Michi Guer.
Roby and I have founded the band in 2007 and together we have realized 3 albumses: Vampires (2007), Spiritism (2007) and the harvest of sonorous columns Terrifying Images (2008).
In 2008 we have realized our last album "The Secret Of the Demon Departs 1" to which has taken also officially part Michi Guer that you/he/she has given its contribution on two pieces: "Hypnosis" and "The Black Ritual." Shortly you/they could enter the group two new members: a singer and a drummer.
However still the things are to define.
We are all native ones of Milan but now we live in the different city: me (Mattia M) to Ancona, Roby to Vienna and Michi has remained in Milan instead.
(SFM) THE SEE THAT YOUR PIECES MACAWS ORIGINATED FROM STORIES AND VISIONS OF THE ANCIENT GOTHIC WORLD, YOUR PIECES MACAWS ALSO INSPIRED BY FILM OF THE KIND?
Surely the literature both orrorifica how esoteric, influence our music both to level of contents and musical.
Particularly I (Mattia M) read many books horror (S.King, To.Rice, Lovecraft, Poe) and tied up books to thematic as the Vampirism, the Witchcraft, the Spiritism, the Magic etc...
As it regards the filmografia horror The am to real student of the Horror made in Italy and The adore directors as L.Fulci, D.Silver, Mario Bava and Pupi Avati.
(SFM) YOU HAVE EVER WRITTEN TO PIECE THAT HAS MADE PART FILM OF OR TO SHORT FILM?
You, has written different sonorous columns, particularly for short films: VitaEMorte (regal of F.Giansante), Pink Moon (regal d To.Genoese), The Puzzle (regal of D.Melini), Apocalypse Zombie (regal than To.Redaelli).
It deals with jobs that space from the amateur one to productions of a superior level as in the case of "Pink Moon" and of "The Puzzle" it deals with short films for the more horrors / Thriller even if with "Pink Moon" we are also ventured there with tied up sonority to the world of the science fiction.
(SFM) FROM HOW LONG YOU COMPOSE MUSIC SO' PARTICULAR?
As I told you the band you/he/she is formed in the 2007. Our music is particular because it probably results from the fusion of styles and very different inspirations. In our pieces you can find again many different styles that space from the electronics to the metal, from the dark ambient to the horror music. This often ago him that our passages also introduce many changes of atmospheres and humors.
(SFM) YOU KNOW THE MIDNIGHT SYNDACATE? ARE THEY AMERICAN AND DO THEY MAKE MUSIC VERY SIMILAR TO YOURS THERE ARE GROUPS OR COMPOSERS TO WHICH INSPIRE YOU?
I know the Midnight Syndacate even if I have discovered them recently if I must be sincere. There are in common many points between ours and their music. But the approach is purely casual and not wanted on our behalf.
To every way I like a lot of their pieces. We are inspired from as band that rotates in the world of the metal and the dark. We have always listened to these musical sons-in-law, since young. Particularly I am tied up to band as Death SS, Paul Chain, Donato's Mario The Black, Daemonia, Goblin and I represent the darkest part of the group.
Roby adores groups as Tristania instead, Nightwish, Paradise Lost and it represents the most metallic and romantic side of the group.
Instead Michi is tied up to the music metal classical years '70 and '80 and to the Gregorian music.
(SFM) BESIDES WWW.MYSPACE. COM / VISIONIGOTICHE AVETE OTHER SITES TO BE MADE TO NOTICE?
For the one who wanted to support you/he/she can enroll us in the following site where in competition are monthly with as valid band and you train for the first positions and I must say with pride that we discreetly get by seen the tall general level :
http://www.ourstage.com/fanclub/visionigotiche For who wanted instead to purchase our passages (except those of the last album for the time being) you/he/she can go on the following site :
http://www.blastmymusic.com/index.php?find main_page=index&cPath=9516 us also, for any contact and also to exchange 4 chiaccheres with us on Facebook.
(SFM) YOU HAVE SOME JOB IN ACTION? WOULD BE BEAUTIFUL CRARE UNO THEATRICAL SHOW WITH YOUR MUSIC!
To the moment we are working for musicare a literary job of the good Domenico Nigro of The Black Management and we are to the work for the realization of the sonorous column of director Alberto Genoese's lungometraggio.
In these days inoltrte should go out another job with our music but for now we cannot say anything of officer if not that it deals with a porno film / horror.
We receive a lot of proposals of collaboration for the realization of sonorous columns and this is for us source of great satisfaction.
As regards one possible entry of ours in the theatrical world for us would be a very beautiful experience to absolutely try!! then maximum availability in the case someone was interested to stuffed a proposal of this type!
(SFM) ONE GOTHIC DREAM OF YOURS?
In my case it speaks of nightmares more than of dreams. I often suffer from nightmares and rather distressing recurrent dreams.
This is also reflected in the music and the concept that it is at the base of the new album "The secret of the demon departs 1" it contains some of these phobias of mine. If you report yourself instead to a dream in positive key, that is an objective, we would like one day musicare a great film horror and to be able to take part therefore to a famous famous cinema production. Even the great Dario Argento? Or I would like Carpenter as, also collaborating in the layout of the music considering that it is a good composer of horror soundtracks.
( SFM) IF YOU HAD THE POSSIBILITY' TO WORK WITH AN ARTIST OF THE PAST WITH WHOM WOULD WANT TO COLLABORATE?
There are different artists for which I feed a particular respect, perhaps not properly tied up to the past, and with which would like me to collaborate: Robert Smith of the The Cure, Martin Gore of the Depeches Mode, Steve Sylvester of the Death SS, Negative Pete Steele of the Type O, Claudio Simonetti and surely others still.
Roby feeds an enormous respect instead for the Black Sabbath and the mythical Tony Iommi.
Instead Michi is a great fan of the Angel Witch.
(SFM) I THANK A LOT YOU FOR YOUR AVAILABILITY!'
Thanks to you! We appreciate a lot the space that you have wanted to devote us. For bands to the first weapons as ours is very important this type of I support!! A regard to you and all those people that they will read this interview and they will want to draw near to our music.
This is the meeting with the more interesting and particular American group of the last years, a group of Ohio (California) that you/they create music for film horror and of atmosphere, with music and sounds that underline the footsteps of the music as they were of the scenes of a film or a Gothic book.
For a long time parties to the horror and the Gothic one, over that to the 1800 style, they space between music and sonorous columns giving some true shivers of fear and cleverness, this year (2009) you/they have also produced their film "the dead matter."
EXCLUSIVE INTERVIEW TO MIDNIGHT SYNDACATE
(SFM) HI! YOUR STYLE IS' IS INFLUENCED BY THE 19TH CENTURY?
PICTURES AND CLOTHERS SEEM TO BE BY THATS YEARS !
PHOTO GIVE AND FROM THE SUITS, MI SEEMS THAT THERE AM SOMETHING OF THAT YEARS!
G: We do draw quite a bit of inspiration from the 19th century. The story behind "The 13th Hour" was set around the turn of the century, with some very classic ghostly themes and period-inspired characters and events. The studio where we record is a fully-renovated historic home as well, and it provided much of the inspiration along with most of the sound effects for "The 13th Hour." On a personal level, I've been fascinated by the Victorian Era for quite some time, and can really appreciate the architectural and cultural developments that took place in the later 1800s. Musically, I recently launched a solo project called Parlormuse that takes authentic Victorian-period popular songs and adapts them for today's audiences through modernized folk-rock arrangements.
E: I think one of the reasons Gavin and I have always been on the same page musically is because we both draw so much of our inspiration from that time period. “The 13th Hour” and “Gates of Delirium” are particular favorites of ours and that’s no surprise as in both those discs we were really focusing on that time period for our setting.
(SFM) THE ATMOSPHERES MI THEY REMEMBER " THE HAUNTED HOUSE" OR THEY RESEMBLE HIM TO THE THINGS OF VINCENT PRICE! THERE AND' SOME FILMS THAT YOU LIKE O THAT IT HAS INSPIRED YOU?
G: We draw a lot of inspiration from horror movies, as well as books and darker artwork. I love classic ghost stories like Shirley Jackson's "The Haunting of Hill House" and the stories of Algernon Blackwood. Some of the images in those stories are truly classic. Movie-wise, the original "The Haunting", "The Ring", and "The Others" are a few personal favorites.
E: I love horror films. It’s my hobby as well as a major source of inspiration for everything I do creatively. As far as favorites, from the early years, “This Old House,” “Dracula,” “White Zombie,” “Horror Hotel,” “Carnival of Souls,” “Black Sabbath,” “Black Sunday,” almost everything Hammer ever did all come to mind
(SFM) HAVE A NEW PROJECT??
G: We've got a couple of things in the works right now. Ed finished filming a full-length zombie and vampire-based motion picture this summer called "The Dead Matter", and it's now in post-production and scheduled for release later this year or early 2009. We'll be doing the soundtrack for that, which will be out toward the end of August. Ed also just completed the score for another movie - Robert Kurtzman's "The Rage" - which is currently available. Beyond that, there could be another surprise or two waiting around the corner - we'll have to see how things play out this year...
(SFM) HAVE ANOTHER SITE OR PAGE
G: www.midnightsyndicate.com is our main website, and we're also on MySpace (www.myspace.com/midnightsyndicate). The Dead Matter also has a site (www.thedeadmatter.com) and a MySpace page (www.myspace.com/thedeadmatter). Finally, the Parlormuse site is at www.parlormuse.com and www.myspace.com/parlormuse.
(SFM) YOUR COLLABORATIONS?
G: One of the most memorable collaborations we've done so far was with renowned fantasy artist Keith Parkinson, who sadly enough passed away several years ago. Keith designed both the "Vampyre" cover as well as "The 13th Hour", and beyond being extremely talented, was simply a great person and always a pleasure to work with. We've had the good fortune to have worked with many extremely talented people and hope that we can continue to do so in the future.
E: We’ve recently teamed up with Dee Snider of Twisted Sister fame and his band, Van Helsing’s Curse. It’s a great project that blends heavy metal and an orchestra (much like Transiberian Orchestra and Nightwish only with a Halloween theme to it. We’re also working with Twilight Creations on a soundtrack to their game, Zombies!!!
(SFM) YOUR DREAM, OR NIGHTMAR
G: As a child I always dreamed of owning a castle in England or Ireland, but I think I'd settle for a nice Victorian mansion at this point! Hard to say about a nightmare. I think I'm more frightened by real-world events than anything supernatural. I do some amateur ghost-hunting on the side and have gotten somewhat used to the idea that there is a lot more to the world than our five senses typically reveal to us. I think it's a natural reaction to be afraid of what is unfamiliar or unknown, but if you think about it, everything is unfamiliar at first. Once you integrate these things into your life in a regular manner, the unfamiliar eventually becomes very familiar and comfortable.
(SFM) THANKYOU VERY MUCH!
G: Thanks! It's been a pleasure.
E: thank you!
The Dead Matter movie complete!
The Dead Matter is officially complete. Post-production wrapped the last week in April with director/composer Edward Douglas and sound editor Patrick Giraudi finalizing the mix and colorist Jim Garrow dialing in the finishing touches.
"I am absolutely thrilled with how the movie came out," said Douglas. "I think it's exactly what fans would expect from a Midnight Syndicate movie. Classic horror themes...very atmospheric, very creepy... and loaded with twists and turns that really pull you into the dark world we try to create on all the Syndicate discs. It's definitely a fun ride for fans who enjoy a good story and an old-school edge to their horror films."
An official date has not been set yet, but a 2009 release is expected.
The Dead Matter soundtrack coming soon
Midnight Syndicate's next CD will be the soundtrack to The Dead Matter. With a debut planned to coordinate with the release of the movie, the disc is expected to contain highlights from the score to the film as well as other music featured in the film. Some of the bands whose music appear in the movie include Midnight Syndicate CD release party favorites Lazy Lane (lead singer Lily Lane collaborated with the band on The 13th Hour disc), Denny Carleton (collaborator from the self-titled Midnight Syndicate disc), Cleveland-based Quanta, UV, Gavin Goszka's Parlormuse, and hIPNOSTIC. The band also plans to include some remixes from other artists.
Midnight Syndicate's tenth studio album continues to receive praise from fans and critics alike. In addition to being named one of the top horror CDs on FEARnet's 2008 countdown, the disc recently won runner-up for Best CD in the horror fan-voted RONDO AWARDS. Thank you everyone who voted! For a look at some of the reviews, visit the REVIEWS section of the site.
While you are there, you can check out new interviews with FEARnet, Fangoria, and Fangoria Radio.
Exclusive Haunter's Edition of The Dead Matter Trailer debuting at Midwest Haunters Convention
Edward Douglas of Midnight Syndicate and Hollywood FX-legend Robert Kurtzman of Precinct 13 Entertainment (producer From Dusk Till Dawn, co-founder KNB FX, co-producer The Dead Matter) will both be appearing at the Midwest Haunters Convention, signing autographs at Booth #807 from 11:00am until 1:00pm on Saturday and debuting an exclusive Haunter's Edition of The Dead Matter movie trailer. Spotlighting some of the haunters involved in the project, the trailer will be shown at both the Midsummer Monster Bash (8:30pm) and the IAHA Masquerade Party (10:30pm), as well as on the bus tours.
Kurtzman will be at Midwest Haunters Convention unveiling his Creature Corps line of haunted attraction props, masks, and special makeup items.
THESE ARE THE IMMAGES FROM THE MOVIE MUSICATED AND PRODUCTED BY "MIDNIGHT SYNDACATE" "THE DEAD MATTER" SCENES AND TEASER ON YOUTUBE http://www.youtube.com/watch?v=YGm5K2uoarM
Christian RAINER This interesting character and multiform artist, are really the demonstration that the art with her "To" capital it exists.
You devotes to various artistic forms, from the performance, to the music, to the creation of real concepts and artistic projects of various kind, where they often have to whether to do with the alchemy as transformation of the subject, the becoming and to mould the elements to really to like.
This is the interview that Sands from mars did a long time ago him some.
EXCLUSIVE INTERVIEW TO CHRISTIAN RAINER ARTIST MULTIMEDIALE
(SFM) HI CHRISTIAN, ARE YOU AN POLIEDRIC ARTIST: PAINTER, MUSICIAN, SINGER, AND. OTHER??
(C.R.)Then I am writer, director, promoter. I often have the ideas of the jobs of other artists. Good hunting.
(SFM) YOUR VOICE IS EXTRAORDINARY, DO YOU HAVE SOME INSPIRATION?
(C.R.)The voice is above all a physiological matter. I would want so much to sing as Jimmy Somerville, but really he/she doesn't succeed me. Yet it is to him that I inspire me.
(SFM) TO VENICE HAI MADE AN ISTALLAZIONE, AN EXPOSURE OF YOUR PHOTOS AND A CONCERT, WHEN YOU WILL INTRODUCE IN ITALY OTHER ARTS?
(C.R.)In these months they are in Italy itinerante among Lombardy, Emilia, Tuscany. And' from Italy that it will depart the my next tour (deviation excepted in Romania). For a while I don't succeed in ending a project in this Country that I begin another of it. Of this footstep I won't go anymore. Of shows in sight I have different of it:
Modena, Genoa, Trento, Florence, Rome....
(SFM) WWW. MYSPACE. COM / CHRISTIANRAINER, HAS OTHER PAGES OR SITES'
(C.R.)You, has indeed so many of it of spaces web. Meanwhile from my myspace you can access the others my myspaces.
Then I quote my more important sites:
(C.R.)www.christianrainernews.blogspot.com Site always adjourned on every particularly useful news for the one who wanted to follow in useful time my projects (and to know about the pasts)
(C.R.) www.turnlovetohate.com Site entirely devoted relative video to my new album just published Turn Love to Hate and to the project. In the site you will find the passages in listening, texts of the songs, video to be seen, contacts and dates of the tour.
(C.R.)www.christianrainer.com My official site but unfortunately firm to one year ago. However it contains very material of all the disciplines of which I deal me.
(SFM) your last job?
(C.R.)The last jobs in music are the vinyl that I have realized with the Kiddycars and then this new disk of mine Turn Love to Hate accompanied by a dvd. After all I am working on numerous projects of art, that don't call shows anymore but "episodes." The nearest neighbor will be in Modena on March 29.
For brevity on my site on suitable of the news all the recent realizations are found.
(SFM) your great project?
(C.R.)I would like to launch me in the realization of a film. It would not be the first one turned by the moment that it is really with the cinema that I have begun. However I would like to return us after having made years of experience in the videoarte. I have already written something on which to begin to work, however the cinema is one of those activities that it asks for total devotion of time and now that I have in dance numerous projects I could not allow me it. After all for "great projects" I intend the macros categories in which I move me: Art, Music, Writing. Particularly these three is mine “big project”
(SFM) how many languages you know? French, English, Italian, German?
(C.R.)You these four. Because I am a mixture of these four origins, even if by now the geography it doesn't interest me anymore. And the too attached people to the political confinements don't even interest me.
(SFM) speak to me of you!
(C.R.)This is one of those questions to which I could answer writing an autobiography of 300 pages or doing as I usually do for brevity: Christian Rainer, UE 1976, still alive.
(SFM) thanks a lot of, CRISTIAN!
(C.R.)Thanks to you! (but christian is written with the H)
Following it is a critique of a performance it turns in Modena, to which I have participated.
Last night To Modena In 60 CARTERIE Street, Near The Study Ancient, He is' A PERFORMANCE Di Turns One Of the More' Eclectic Artists Of Our Times: CHRISTIAN RAINER.
PERHAPS THE NEW WARHOL?
THE PERFORMANCE ATIPICA HAS INVOLVED THE PUBLIC IN DIRECT WAY, AND AND' IS AS TO MAKE A JUMP IN THE PAST TO THE TIMES OF THE FACTORY, MA WITHOUT ANY TYPE OF RHETORIC, GIVING SO', INSTANTS OF TRUE ART.
8 PEOPLE, USING THE HAND OF A GIRL, PUT MAKE UP ON AS A MANIKIN, YOU/THEY HAD TO DRAW THEIR IDEA OF A "WOLF", EACH AS HE/SHE SAW THE STRENGTH, THE FORM, OF THIS TOTEMIC ANIMAL IS FULL OF SIMBOLOGIE.
THE ARTIST THAT IS' PAINTER, MUSICIAN, COMPOSER AND QUANT'ALTRO SIA AN ARTISTIC CHALLENGE, HAS FROM A LITTLE RELEASED AN INTERVIEW ON WWW.MYSPACE.COM / SANDSFROMMARS, THE NEW WEBZINE CHE IN HIS/HER BLOG, DEALS HIM WITH ART TO ALL THE LEVELS, WITH VIDEO, SHORT, INTERVIEWS TO ARTISTS AND EVERYTHING HOW MUCH DOES CULTURE IT IS ART.
This particular group in Rome, offers a particular style, that could be defined to the musical world "electro dark" in how much unites the sonorities gothic (or dark, in italia!) to those more electronics than the keyboard and sampler, that damage sound effects, not only to the voice, but also of the natural sounds that accompany together with the music the splendid voice of the singer, that the listener transports in the black and magic fables of their texts.
This is the interview:
EXCLUSIVE INTERVIEW TO THE "DHYAMARA"
(SFM) IN THE NIGHT OF THE ANCIENT SPIRIT, WOULD SEEM THAT THIS PIECE HAS TO WHETHER TO DO WITH THE ANCIENT RELIGIONS, WHAT TIME CHIAMA WICCA, OR DOES IT DEAL WITH ANCESTRAL SPIRITS MORE' ANCIENT, AS THOSE OF LOVECRAFT?
( DHYAMARA): WE CLEARLY PERCEIVE THAT OUR SPIRIT IS' VERY NEAR IT IS TIED UP TO THE STRENGTHS OF THE NATURE FROM WHICH WE DRAW INSPIRATION AND ENERGY IN EVERY ACTION OF OUR EXISTENCE.
THESE ENTITIES' THEY ARE TO US FRIENDS IT IS TO US THE DUTY TO RESPECT HER.
(SFM) YOU KNOW THE MIRIAM, DO I SEE, HAVE YOU DONE SOMETHING WITH THEM?
(DHYAMARA): OUR DARLINGS' MIRIAM SONO FRIENDS WITH WHICH ARE NOT EXCLUDED IN THE FUTURE ANY ARTISTIC COLLABORATIONS.
(SFM) I Understand That For You This Your Alternative, Or Parallel World, is Dark However it is Full Of Traps, And' For This That is A "Witness Of Your Fear?
(DHYAMARA): Contrarily, The World To Which We Belong And' A Scenery To Us I Befriend; The Title Of Our Passage Refers Rather To Those people Who Try Of AFFACCIARVISI E they don't Succeed In Gathering its essence Falling In A Dark Vortex Characterized By Ignorance (in the Latin sense of the term) it is False CREDENZE;SARANNO Them Same to Be Witnesses Of his/her Own Fears.
(SFM) BESIDES WWW.MYSPACE.DOES COM / DHYAMARA, HAVE OTHER PAGES, BLOG OR FACEBOOK TO BE SIGNALLED?
( DHYAMARA): WE EXCLUSIVELY HAVE THIS PROFILE MYSPACE PERCHÉ' WE HOLD TO BE IN ABSOLUTE VERY VALID AS SERVICE OF DIFFUSION OF OUR ACTIVITY' MUSICAL.
(SFM) ONE DREAM OF YOURS GOTHIC (OR)?
(DHYAMARA): WE COULD QUOTE INNUMEREVOLI;TUTTAVIA AMIAMO OF IT A LOT OF NATURAL BACKGROUND IMAGES AS FOR INSTANCE TO PROCEED IN WALK LONG PATHS OF SILENT WOODS ILLUMINATED BY THE PALE LIGHT OF THE FULL MOON.
(SFM) IF YOU COULD ALREADY COMPOSE A MUSIC FOR A DIRECTOR OR A WRITER' PIERCED, FOR THE ONE WHOM YOU WOULD WORK?
(DHYAMARA): MANIFOLD THEY ARE THE MEN OF THE PAST OF WHOM WE PRAISE THE ARTISTIC EXPRESSION; Nevertheless If Really we must Make A Choice This it Reverts On FRIEDRICH VON SCHILLER And On His/her German Romantic Historical Period Of the End Of 700 And Beginnings 800 Characterized By the Free Creativeness' Some individual is From the exaltation Of the Feelings.
(SFM) YOU HAVE SOME JOBS IN PROGRESS? LIVE, CD O OTHER?
(DHYAMARA): WE HAVE BEEN THROWING THE BASES OF THIS MUSICAL PROJECT OF OURS FOR LITTLE MONTHS; NEVERTHELESS WE ARE REALIZING THE FIRST DEMO CUI IT WILL DO' SOON SUCCESSION AN OFFICIAL DISK WITH CONTEXTUAL PLANNING OF THE ACTIVITY' LIVE.
(SFM) IN HOW MUCH YOU ARE IN THIS SONOROUS PROJECT?
(DHYAMARA): WE ARE IN TWO: Me Nymph To the Voice And the Composition Of the Texts is Luca Che it Deals Him With The whole Instrumental Line
(SFM) I THANK A LOT YOU FOR YOUR AVAILABILITY.'
(DHYAMARA): THANKS TO YOU FOR THE OPPORTUNITY' THAT YOU HAVE OFFERED US
This is the critique of the single one from a little gone out:
CRITIQUE OF THE SINGLE ONE "DHYAMARA
Beautiful drawn back gothico of music and atmospheres from castle of Otranto, in this job of the DHYAMARAs, that mixes the gothic to the ethereal, as in the piece "Ariel" where the splendid voice of Nymph seems to color the everything, as in a surrealist picture to Give them for her, other pieces they include electronic interventions, and they make more "space" the atmospheres in which the voices of Nymph and Luca stir as if they sang in the deep space, with echi and reverberations, really well calibrated and harmonious, so much to be sent the listener, in a new world to every listened piece.
And' a way to travel in the time and in the space, of the mind and of the spirit, so much that the soul seems becoming a prism that reflects around light and darkness all, and where dark is not the end of everything, but if the beginning of something that is buried inside of us, in our atavistic memory, and in our more intimate part of us
The quality of parts and the CD in its entirety, is a really nice picture, fantasy gothic, which has no end of feeling, in music, texts and dreamlike visions that triggers. Ganzaroli Mauritius This is the review of the concert "Angel of Darkness female voice contest "in Bologna, where they were: This group of Rome told us wonderful tales of dark, rich presence palpable although invisible gravitating and live with us, beautiful electro sounds with the melodious voice of Ninfa, it seems prayers to the goddess mother, night prayers in the circle. Voices in the woods of the small people and that certainly was physically with us to hear these songs among the gothic, the ethereal.
With this beautiful duet, I conclude this first e-book dedicated to interviews with the artists and the web-zine sandsfrommars experienced in these few years of life. Who wants to have reviews, do interviews or otherwise, write to: Free @ maury.evoluzione . com Or if you want, you can ask friends at www.myspace.com / or sandsfrommars www.myspace.com/maury1969: facebook.com / maurizioganzaroli