Fashion goes hi-tech with smart bags and watches

"Technology is integral to every business today and will continue to be imperative in the future," says Samantha Aldenton, associate editor of WGSN, a firm specialising in forecasting fashion trends.

Persone Jean-Claude Biver, Thomas Campbell, Bruno Pieters, Vivienne Tam, Diane von Furstenberg, Samantha Aldenton, May, June, August
Luoghi See More, Spagna, New York, Bilbao, Manus Province
Organizzazioni Metropolitan Museum Costume Institute, Intel, Google
Argomenti commercio, economia, impresa, internet

18/gen/2016 07.10.38 stricklinn Contatta l'autore

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The impact that technology and luxury goods, including fashion, have on each other these days goes beyond communication strategies and online sales. In the digital era, the two have become unlikely bedfellows. “Tech-luxury” is a new platform for experimentation and 2016 promises to be a year of great innovation.

“Technology is integral to every business today and will continue to be imperative in the future,” says Samantha Aldenton, associate editor of WGSN, a firm specialising in forecasting fashion trends.

“However, when I’m talking about technology, I mean true technology and not the gimmick tech designed by marketers to attract buzz from the press like a lot of the wearable tech on the market today.”

For a long time, the idea of innovation through technology in fashion was limited to certain experimental designers eager to escape the constraints of tradition and the conventions of the luxury market. Hussein Chalayan’s “Remote Control Dress”, Iris Van Herpen’s outlandish and sometimes interactive fabrics, Diane von Furstenberg’s collection with Google Glass, and Ralph Lauren’s shirts that can measure heartbeats and breathing are all examples of harnessing technology to evolve a brand’s identity, bringing fresh functionality and a hint of futurism to products.

“Technology is our biggest revolution. It is part of our life, at the heart of everything we do. We can no longer consider it as a supplement – it is a complete function,” Diane von Furstenberg said on US television last July.

Von Furstenberg is about to launch a collection of handbags which include a built-in charger, while Vivienne Tam has collaborated on bags with charger inserts.

Swarovski, meanwhile, recently joined forces with Misfit, maker of the activity and sleep monitor Shine, to create a range of high-end connected jewellery embedded with technology to measure steps taken, calories burned, distance walked and sleep quality, and self-charging through a solar-powered battery.

Photo: lace bridesmaid dresses

Technology is also a useful tool for fashion designers and brands that wish to make a statement: the recently launched Sponge Suit bikini designed to absorb pollution from the sea is a case in point. Created by New York-based design and architecture studio Eray Carbajo, the bikini is crafted from a sponge-like material – a network of nanocarbons based on sugar and developed by University of California engineering professors Mihri Ozkan and Cengiz Ozkan – that repels water but absorbs oils and other impurities. It shows that tech-luxury can have an ethical impact, but this is not an outfit that many would wear.

Bruno Pieters, the founder and designer of the 100 per cent transparent and sustainable brand Honest By, and Comme des Machines, a so-called future fashion advisory based in Bilbao, Spain, teamed up to launch the Download EP01 collection last June. It consists of nine designs that can be bought and downloaded, then sent to 3D home printers. The Antwerp-based brand founded by Pieters is the first fashion brand to offer a collection of downloadable 3D designs.

“Any brand that isn’t thinking about how technology is used throughout their business is going to be left behind, and that applies to retailers across all markets and product categories,” says Aldenton. “Whether it’s technology in shipping and handling, managing customer data, merchandising on the shop floor or in the product that ends up in consumer’s hands, technology is important to every area of fashion today, so much so it’s even the theme of next year’s Metropolitan Museum Costume Institute exhibition.”

Harnessing technology to develop accessories and clothing dates back to the beginning of industrialisation and has had a huge impact on the evolution of clothing production.

“Fashion and technology are inextricably connected, more so now than ever before,” says Thomas Campbell, general director of New York’s Metropolitan Museum, whose Costume Institute will welcome the exhibition “Manus x Machina: Fashion in an Age of Technology”, from May 5 to August 14. The exhibit aims to explore the impact of new technologies on fashion designers from the 19th century to today.

“It is therefore timely to examine the roles that the handmade and the machine-made have played in the creative process,” says Campbell.

If the two elements have often been presented as opposites, this exhibition should provide a new viewpoint, placing handmade and machine-made garments on a level footing.

The tech-luxe process has gone even further, as gadgets enter the realm of chic, a key example being the recent Apple Watch Hermès, the number one gift wish for the tech-savvy fashionista.

It’s not hard to see why so many want this item: it combines the leather craftsmanship of French fashion giant Hermès with advanced technology from Apple. It comes in three different wristbands (single or double tour and cuff), three face designs, three numeral displays (12, 4 or 1) and three features (stopwatch, date and global time).

If brands want to join the tech bandwagon, Aldenton says the best route to seek out a technology partner, a company or start-up that has already developed a technology that works well and would be inherently useful to the fashion brand’s customer. The new features need to seamlessly integrate.

“The most important consideration for any luxury brand looking to integrate wearable technology is that the consumer essentially shouldn’t even be aware that they’re wearing something that’s technology enabled,” she says.

LVMH is also positioning itself in the tech-luxury arena. The French luxury group unveiled its first connected watch in November, the Carrera Connected by TAG Heuer, with Android functionality, created in partnership with Intel and Google. The Carrera Connected has already sold out – new arrivals are expected in mid-2016.

For Jean-Claude Biver, president of LVMH’s watch division, luxury and technology are not in confrontation but in partnership. “When ideas are colliding, a growing world of luxury-tech is unavoidable.”

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